This article was originally written for SpokeArt so that they could divvy it up among several blogs that were generous enough to report on the show!
This write up will be given to attendees at the gallery at the opening TONIGHT, but for the rest of you who aren’t in San Francisco, here’s a sneak! These prints will all be on sale on the SpokeArt website, Spoke-Art.com THIS FRIDAY afternoon. Keep your eyes on the site!
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Last June, after the opening reception to the Quentin V. Coen show in San Fran, the founder of SpokeArt- Ken Harman, invited me to have a solo show at his gallery later that year. I was immediately flattered- and then the fear set in. If it’s just me, not only was I looking at months of work in secret- but the success or failure of the Gallery that month was up to my ability to create and be clever. I initially was going to do a very diverse show with a bunch of unconnected works, essentially throwing the visual parts of my brain up on the wall and hoping people liked what they saw. But after talking to Ken for a while, he seized on a couple of ideas I had and did what a good gallery owner should do- focus his artist. This is the show that came of that.
“Unreal Estate” is a collection of locations that many of us know and have been to on a weekly basis at times, but we can never actually visit. These places are in our memories- transmitted and entrenched there through a cathode-ray tube. Some of us have been going to these places for decades- some of these places were taken from us, way too soon.
I was asked to write about the pieces for use on various blogs and press. As much as I’d like the work to completely speak for itself, I do so enjoy commentary tracks, so here is mine.
READ SAID COMMENTARY TRACK BELOW AFTER THE JUMP!